Compile The whole making process

Finally, I spend three months to compile the entire Qin making process, and improve by follow days.

Accept 2 Guqin orders in 2020

As predicted last year; in 2020, due to various Guqin projet, the production of Guqin will be postponed. Until the end of this year was able to accepts 2 Qins order for a period of about a year and a half. The extra space of time is to continue the new design of Qins and complete the semi-finished products of previous years.

(Currently, the schedule for ordering for 2020-2021 has expired. One is the “Taigu Yiyin” Shikuang Qin form, and the other is the JiaoYeQin with Galaxy paint. The next filming publish will take these two as the primary.)

Build a climate simulation space capsule CCSC-21

The reason for emphasizing to build this system is that it is the key equipment for my entire Qin making process, and it is also one of the important equipment for a series of complex experiments and multiple scientific research projects. As for the exhibition period, I will also show it in the exhibition according to the situation.

4 new Qin designs materialized

In the second half of 2020 there are four new Qins by CAD design have moved into the actual formative stages, namely bamboo-shaped, Kuang-shaped, three waves of Jiaoye Qin, none wave Jiaoye Qin, as well as a widen edition Fuxi Shape and ultra-thin Zhongni shape. (It is expected to be completed in the winter of 2021-2022 and a public exhibition will be arranged.)

Invited to create 2 cultural landmarks

Life is full of adventure; do not try to know, how not? And these are also two things that I did not expect, because these two projects are actually beyond my expected range, but fortunately they are still within the scope of my ability and technology, so I seize the current opportunity.

Continue to complete 8 semi-finished products from previous years

At the beginning of 2019; plans to produce 6 Zhongni Qin and 2 Jiaoye Qin, which were delayed due to exhibitions and various work transfers. Therefore, each of the 8 Qins remained in the semi-finished stage. Starting from the second half of this year, I will gradually enter the assembly of accessories and tuning, and it is expected to be completed in the spring of 2022.

逐步完善新工作室分部

建立第四個綜合工作室，作用於部分核心工藝處理以及彌補夜間以及特殊天氣的工作檔期空缺。而此處不對外，專門處理高端琴調音以及漆面所用。

培訓及帶領精英團隊

獨當一面縱有偏鋒，好的就是支配自由以及佈局策略上的無所顧忌，但在推廣、實力、後援必然有一定的局限性。但我依然堅守“精雕細琢”，緊隨我步伐的團隊也必須經得起考驗耐得住寂寞，更希望各有過人之處與甘於奉獻的團隊精神。

个人自传特辑

此事應邀拍攝，並且已經完成素材採集，待公映後引鏈。與此同時，本人也會開始額外自行輯錄素材製作長期紀錄片。

籌備國內更大型斲琴展

因應江門古琴研究會、新會博物館邀請，籌辦斵琴文化展以及斵琴工作階段成果展，以展示紫雲古琴文化發展動態與未來發展期望。

推動當地古琴文化發展

與江門古琴研究會林棟勝會長共同致力於振興古琴文化，大力推動當地古琴文化積極氛圍，用心培養高端古琴製作人才。共同協力打造當地“嶺南琴派發源地”之文化名片，積極構建江門新會（古名：岡州）成為古琴文化歷史地標之一。

擔當技藝傳承角色

社會價值遠在產品價值之上，加之時間考驗就是曆史價值。而傳承者有官發也有自發，踏實做好本分就是有“有擔當”，“人人有責”致力於延續傳承歷史傳統文化。

籌備海外博物館展

男兒志在四海，所以我每步都未雨綢繆。而在疫情困局下與摯友談及到如何在將來大勢里“破局”。回想起早期談及的中意樂器文化交流展，現階段已胸有成竹地等待天下太平時。

期待疫情過後

答應一位摯友的諾言得以實現，釋解我兩年來的一個心結。因為此事我也日夜期盼，更會斟酌疫情過後親自拜訪。